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The past twenty years have seen a proliferation of documentary forms (both fact-based and verbatim) in Western theater. Editors Forsyth (Theatre Studies, Aberystwyth University) and Megson (Drama and Theater, University of London) have assembled a roster of contributors to examine the various ways in which documentary theater confronts contemporary social and political realities. Using a variety of critical perspectives, their essays look into the relationship of documentary theater to new technology and media, and to the archive, memory, autobiography, and national identity. Annotation c2010 Book News, Inc., Portland, OR (booknews.com)
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ALISON FORSYTH is Lecturer in Theatre Studies at Aberystwyth University, UK, and researches into adaptations and staging the real. Her publications include Gadamer, History and the Classics: Fugard, Marowitz, Berkoff and Harrison Rewrite the Theatre (2002). Her current research projects are an anthology of adaptations and The Trauma of Articulation: Arthur Miller's Holocaust Plays.
CHRIS MEGSON is Senior Lecturer in Drama and Theatre at Royal Holloway College, University of London, UK. He is currently writing a book on the playwright Sarah Kane and has published a range of essays on post-war British playwriting and performance.
CHRIS MEGSON is Senior Lecturer in Drama and Theatre at Royal Holloway College, University of London, UK. He is currently writing a book on the playwright Sarah Kane and has published a range of essays on post-war British playwriting and performance.
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