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Don McCullin's travels have taken him to some of the most remote regions in the world. His skill in photographing people in extreme situations has enabled him to mix with tribes on the edges of civilization such as the people of Irian Jaya, included in his last book, Don McCullin (2001 and 2003). As exploration of the planet extends there are few corners of the Earth untouched or untainted by contact with the civilized world. McCullin's new work in Africa reaches just such a region, where signs of outside influence are few, though they appear ominously significant.
Over the last two years Don McCullin has travelled south from Addis Ababa in Ethiopia to the valley of the Omo River leading down to the border with Sudan. There he has entered the tribal lands of the Surma, the Gheleb, the Bume, the Erbore, the Bene, the Bodi, the Karo, the Hamar and the Mursi. Extraordinary body paints decorate their bodies. Metalwork adorns their limbs, and, in the case of the Mursi, huge circular plates extend their lower lips and piercings open up huge holes in their ear lobes. Ritualistic stick battles are enacted with ferocity. Rifles and machine guns are often cradled in the hands of warriors. The violence McCullin witnessed was staged but real dangers were close.
Over the last two years Don McCullin has travelled south from Addis Ababa in Ethiopia to the valley of the Omo River leading down to the border with Sudan. There he has entered the tribal lands of the Surma, the Gheleb, the Bume, the Erbore, the Bene, the Bodi, the Karo, the Hamar and the Mursi. Extraordinary body paints decorate their bodies. Metalwork adorns their limbs, and, in the case of the Mursi, huge circular plates extend their lower lips and piercings open up huge holes in their ear lobes. Ritualistic stick battles are enacted with ferocity. Rifles and machine guns are often cradled in the hands of warriors. The violence McCullin witnessed was staged but real dangers were close.
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