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Previously published as a special issue of British Journal of Middle East Studies, this volume focuses on leading figures within Iran between 1997-2007 and their visions and works that are related to Iranian society.
A cross section of opinion is investigated, including the clerical ( Ali Khameneh i, Muhammad Khatami and Mohsen Kadivar), the dissident (Mohsen Makhmalbaf), and the poetic (Qaysar Aminpour) and cinematic. The past decade has been a traumatic one in Iran, and the essays in this volume testify to the vibrancy of the responses from Iranian thinkers. It may be a surprise to some observers that in some senses, Ali Khameneh i may be considered a liberal whereas Muhammad Khatami s own credentials as an advocate of rapprochement with the West needs to be qualified. Responses to Western culture continue to remain centre-stage, and this is also nowhere more apparent than in the complex relationship between the directors of Iranian films (perhaps Iran s most celebrated export these days) and their audiences, both Iranian and Western. Despite some viewing Iran as a pariah state, it remains firmly connected to the West and to modern technology, typified in the practice of blogging that is enjoyed by so many Iranians, which has provided a new space for expression and thinking.
A cross section of opinion is investigated, including the clerical ( Ali Khameneh i, Muhammad Khatami and Mohsen Kadivar), the dissident (Mohsen Makhmalbaf), and the poetic (Qaysar Aminpour) and cinematic. The past decade has been a traumatic one in Iran, and the essays in this volume testify to the vibrancy of the responses from Iranian thinkers. It may be a surprise to some observers that in some senses, Ali Khameneh i may be considered a liberal whereas Muhammad Khatami s own credentials as an advocate of rapprochement with the West needs to be qualified. Responses to Western culture continue to remain centre-stage, and this is also nowhere more apparent than in the complex relationship between the directors of Iranian films (perhaps Iran s most celebrated export these days) and their audiences, both Iranian and Western. Despite some viewing Iran as a pariah state, it remains firmly connected to the West and to modern technology, typified in the practice of blogging that is enjoyed by so many Iranians, which has provided a new space for expression and thinking.
作者簡介
Lloyd Ridgeon is Senior Lecturer in Islamic and Persian Studies, Glasgow University.
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