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目次
Acknowledgements............................................................... xiii
Notes to the Reader.............................................................. xvii
Preface................................................................................... xix
Part I
1. Some Problems of Expectation or
Speculations on Why Originality Cant Be a
"Traditional Chinese" Value (When It Is)....................... 3
Key terms indicate values 3
Local and time specific terms.............................. 3
Terms of more universal application................... 4
The curious case of "originality".......................... 5
Why not? 5
Chinese art historical literature hovers around the
concept of originality............................................. 5
The importance of originality is debatable......... 6
Terms and phrases suggestive of originality
in the critical literature........................................... 7
Phrases involving "originality".............................. 7
Passages with terms implicating originality....... 7
More about yi 逸 and du獨.......................... 12
Qi 奇.................................................................. 16
1. Why insist on talking about originality in
Chinese art theory and criticism?........................ 17
Why does the belief persist that originality is
antithetical to Chinese cultural demands?.............. 17
Copying and Confucianism.................................. 18
Copying and Xie He.............................................. 18
Late i9th-early 20th century Chinese taste and values 19
US collectors and the display of Chinese art..24
May Fourth ideology........................................... 26
Cold War ideology.............................................. 30
Originality as a "traditional Chinese" value............. 35
Xie He's Six Laws of Painting......................... 35
Conclusion................................................................ 38
2. Some Problems of Interpretation or Discerning the
Flavors of a Fine Kettle of Fish 41
Terms of identification............................................. 42
Models of interpretation.......................................... 45
Relevance................................................................. 60
Part II Ideas and Words
3. How Ideas Spread Across
Political and economic change.............................. 65
Imperial exams........................................................... 71
New social roles and acceptable professions...... 72
The publishing industry and public lectures............. 75
Words and the art world.......................................... 77
4. The Importance of a Word: A Discussion of Critical Terms 81
Qi in dictionaries..................................................... 84
Qi in early texts........................................................ 87
Correlates of qi.......................................................... 91
Related terms........................................................... 98
Part III What the Theorists and Critics Had to Say
5. What the Texts Say: Originality in Pre-Seventeenth-Century
Art Theory and Criticism 103
Qi in art theory and criticism of the Six Dynasties
Period (220-581)..................................................... 104
Qi in art theory and criticism of the Tang
Dynasty (618-906)................................................... 108
Qi in art theory and criticism of the Song
Dynasty (960-1279)................................................. no
Qi in art theory and criticism of the Yuan Dynasty (1279-1368)
through the early Ming Dynasty (1368-1400)........ 118
Qi in art theory and criticism of the mid Ming
Dynasty (1400-1600)............................................... 125
6. What the Texts Say: Originality in Seventeenth-Century
Painting Theory and Criticism 135
Basic meanings of qi in theory and criticism........ 137
Qi as originality........................................................ 142
The importance of breaking the rules.................... 153
The Qi-Zheng dialectic............................................ 163
7. What the Texts Say: Originality in Seventeenth-Century
Calligraphy Theory and Criticism 167
Calligraphy theorists, critics, and texts.................. 167
Qi as ineffable.......................................................... 172
Qi as different and strange..................................... 177
Qi as unbalanced..................................................... 179
Qi as extraordinary and great................................ 180
Qi as original............................................................ 181
Qi and zhuo............................................................. 187
Qi and zheng.......................................................... 188
Qi and rule breaking............................................... 198
Part IV Images
8. The Other Dong Qichang.............................................. 203
Originalism in Dong Qichangs paintings............... 205
Originalism in Dong Qichang's calligraphy........... 209
9. What Originality Looks Like:
Wu Bin's On the Way to Shanyin 221
The painting.............................................................. 221
Illustrations to Chapter 9.......................................... 227
The inscription.......................................................... 276
The title and subject matter..................................... 286
Part V The Legacy of a Concept
10. The End of Originality as the Seventeenth Century
Knew It 291
The effects of Qing policy on aesthetics................ 295
Conservative aesthetic theory and criticism of the
early Qing Dynasty................................................... 299
Early Qing discourse moves away from qi as original 303
Epilogue
A New Canon: Qi Becomes the New Zheng............ 325
Appendix
Instances of the Use of Qi, Yi, and Guai in
Sobriquet Dictionaries.................................................. 331
Notes...................................................................................... 339
Bibliography........................................................................... 385
Index....................................................................................... 403
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