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PROSTHETIC MEMORY ― THE TRANSFORMATION OF AMERICAN REMEMBRANCE IN THE AGE OF MASS CULTURE
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Landsberg explores the extent to which modern technologies of mass culture such as film, by their ability to transport people through time and space, function as technologies of memory, and blur the distinction between individual and collective memory. She takes as case studies immigrants to the US during the 1910s and 1920s, African Americans, and the Holocaust. Memories forged in response to modernity's rupture, she agues, do not belong exclusively to a particular group for example the Holocaust to Jews or slavery to African Americans but to anyone who accesses the media. Annotation c2004 Book News, Inc., Portland, OR (booknews.com)
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Alison Landsberg is assistant professor of American cultural history at George Mason University. She lives in Arlington, Virginia.
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