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Hamlet stands as a high water mark of canonical art, yet it has equally attracted rebels and experimenters, those avant-garde writers, dramatists, performers, and filmmakers who, in their adaptations and appropriations, seek new ways of expressing innovative and challenging thoughts in the hope that they can change perceptions of their own world. This partially explains the uncanny ability of Shakespeare’sHamlet to be “ever-now, ever-new.”
作者簡介
R. S. White is a chief investigator for the Australian Research Council’s Centre of Excellence for the History of Emotions and Winthrop Professor of English at the University of Western Australia. He is author of John Keats: A Literary Life.
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