First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Cather
Ideas in Profile: Small Introductions to Big TopicsAt the heart of criticism lies one question: What do you think of it? Every time we comment on an artefact, whether a poem, a play, a painting, a nov
What makes us the people we are? Culture evidently plays a part, but how large a part? Is culture alone the source of our identities? Some have argued that human nature is the foundation of culture, o
Everyone knows the story of the star-crossed lovers but close attention to the language of the play can deepen and darken the legend. As icons of passion, Romeo and Juliet reveal the recklessness, as
In this exciting new introduction to Shakespeare, Catherine Belsey takes traditional tales as a starting point to argue against the cultural materialists who claim Shakespeare's iconic status is no mo
In this exciting new introduction to Shakespeare, Catherine Belsey takes traditional tales as a starting point to argue against the cultural materialists who claim Shakespeare's iconic status is no mo
A new type of study guide which combines an exploration of Shakespeare's language with. specific help for students looking to develop their own critical responses and skills. Hamlet remains
What is poststructuralist theory, and what difference does it make to literary criticism? Where do we find the meaning of the text: in the author's head? in the reader's? Or do we, instead, make meani
In these essays, brought together here for the first time, world-renowned critic Catherine Belsey puts theory to work in order to register Shakespeare's powers of seduction.
`All of the essays attest to Belsey's career-long commitment to theory and its ability to deliver new ways of reading... Her attention in this collection to materiality and wordplay is indicative of h
