Ever since the scientist-turned-novelist C. P. Snow clashed with literary critic F. R. Leavis in the early 1960s, it has been a commonplace to lament that intellectual life is divided between 'two cultures', the arts and sciences. Yet why did a topic that had long been discussed inspire such ferocious controversy at this particular moment? This book answers that question by recasting this dispute as an ideological conflict between competing visions of Britain's past, present, and future. It then connects the controversy to simultaneous arguments about the mission of the university, the methodology of social history, the reasons for 'national decline', and the fate of the former empire. By excavating the political stakes of the 'two cultures' controversy, this book explains the workings of cultural politics during the 1960s more generally, while also revising the meaning of a term that continues to be evoked to this day.
Ever since the scientist-turned-novelist C. P. Snow clashed with literary critic F. R. Leavis in the early 1960s, it has been a commonplace to lament that intellectual life is divided between 'two cultures', the arts and sciences. Yet why did a topic that had long been discussed inspire such ferocious controversy at this particular moment? This book answers that question by recasting this dispute as an ideological conflict between competing visions of Britain's past, present, and future. It then connects the controversy to simultaneous arguments about the mission of the university, the methodology of social history, the reasons for 'national decline', and the fate of the former empire. By excavating the political stakes of the 'two cultures' controversy, this book explains the workings of cultural politics during the 1960s more generally, while also revising the meaning of a term that continues to be evoked to this day.
During the quarter of a century after the Second World War, the United Kingdom designated thirty-two new towns across England, Scotland, Wales, and Northern Ireland. Why, even before selling council houses or denationalising public industries, did Margaret Thatcher's government begin to privatise these new towns? By examining the most ambitious of these projects, Milton Keynes, Guy Ortolano recasts our understanding of British social democracy, arguing that the new towns comprised the spatial dimension of the welfare state. Following the Prime Minister's progress on a tour through Milton Keynes on 25 September 1979, Ortolano alights at successive stops to examine the broader histories of urban planning, modernist architecture, community development, international consulting, and municipal housing. Thatcher's journey reveals a dynamic social democracy during its decade of crisis, while also showing how public sector actors begrudgingly accommodated the alternative priorities of market
