In 1992, the Comité International d’Histoire de l’Art (CIHA) held its 28th Congress in re-unified Berlin under the theme Künstlerischer Austausch – Artistic Exchange. The subject fed a strain of ideal
Jan van Eyck and Albrecht Durer were two titans in a pivotal century in the history of western art. For several generations, the Flemish Primitives inspired artists from the Holy Roman Empire and infl
