This collection of essays looks at the music of Webern from several different perspectives. Webern scholarship, based on the sketches and other primary material now owned by the Paul Sacher Stiftung in Basel and the Library of Congress in Washington, has emphasised Webern's lyricism, and this is a theme running through Webern Studies. Most of the essays are the result of work with primary material. The volume includes entries from Webern's diaries, and all of the row tables for his twelve-note music. A comprehensive Webern bibliography covers thoroughly the period since Zoltan Roman's bibliography of 1978.
On 15 September, 1945 the composer Anton Webern was shot in confusing circumstances in a small mountain village near Salzburg, and the world lost a composer of extreme originality whose mature music was still almost unknown. When Webern's works did come to light he immediately became one of the most influential figures in music of the second half of this century. But the composer who was hailed as the originator of the hyperintellectualised serialism of the 1950s and 60s was by nature an ardent romantic who held feeling - and comprehensibility - to be important above all else in art. This book focuses on several aspects of Webern's life that have been treated only briefly in earlier accounts: his youthful instability, his often embarrassing dependence on Schoenberg, his naive nationalism and his absolute belief in the value of the brief moments of music he produced.
'I listen to a piece and ask myself what has made the greatest impression on me. What has moved me the most about it, what has excited me the most, what it is I want to write about, what sets my mind
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