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Imperial Latin epic has seen a renaissance of scholarly interest. This book illuminates the work of the poet Lucan, a contemporary of the emperor Nero. This maverick but socially prominent poet, whom

The Cambridge Companion to Roman Comedy provides a comprehensive critical introduction to Roman comedy and its reception through more than twenty accessible and up-to-date chapters by leading international scholars. This book defines the fundamentals of Roman comedy by examining its literary and comic technique as well as its stagecraft and music, and then traces the genre's influence through the centuries. Roman comedy has served as a model for writers as well as artists ranging from Shakespeare to Molière and from Martin Luther to Cole Porter. Just as the Middle Ages spawned Christianised versions of Terence's comedies, in which harlots find God rather than a husband and young men become martyrs rather than never-do-well lovers, the twentieth century has also given us its take on Roman comedy with Stephen Sondheim's A Funny Thing Happened on the Way to the Forum and numerous modern versions of Plautus' Amphitryon.

As a genre situated at the crossroad of rhetoric and fiction, declamatio offers the freedom to experiment with new forms of discourse. Placing the literariness of (Ps)Quintilian’s oeuvre into the spot