A classic in the making for anyone who ever longed to be WILD.October and her dad live in the woods. They sleep in the house Dad built for them and eat the food they grow in the vegetable patches. The
Being in the Bringing Your Soul Back Home: Writing in the New Consciousness groups in Glastonbury has opened a window in my creative process, helping to link my inner and outer landscapes. The work I
We are her world and her universe and her space and her sky and her galaxy and her cosmos too. Frank is ten. He likes cottage pie and football and cracking codes. Max is five. He only eats Quavers and
We are her world and her universe and her space and her stars and her sky and her galaxy and her cosmos tooFrank is ten. He likes cottage pie and football and cracking codes. Max is five. He eats only
We are her world and her universe and her space and her sky and her galaxy and her cosmos too.Frank is ten. He likes cottage pie and football and cracking codes. Max is five. He only eats Quavers and
Katya Balen's October, October is a very special new addition to the shelf and deserves classic status - Times Children's Book of the WeekA classic in the making for anyone who ever longed to be WILD. October and her dad live in the woods. They know the trees and the rocks and the lake and stars like best friends.They live in the woods and they are wild. And that's the way it is. Until the year October turns eleven.That's the year October rescues a baby owl. It's the year Dad falls out of the biggest tree in their woods. The year the woman who calls herself October's mother comes back.The year everything changes. Written in Katya Balen's heart-stoppingly beautiful style, this book is a feast for the senses, filled with the woodsmoke smell of crisp autumn mornings and the sound of wellies squelching in river mud. And, as October fights to find the space to be wild in the whirling chaos of the world beyond the woods, it is also a feast for the soul.
Theological hermeneutics receives a new impulse in this book through critical investigation of F.M. Dostoevsky's personal faith in its correlation both to his literary oeuvre and to its reception by t
Katya Mandoki advances in this book the thesis that it is not only possible but crucial to open up the field of aesthetics (traditionally confined to the study of art and beauty) toward the richness a
