Medieval beliefs about the body were drastically different from ours today: Hair was thought to be a condensation of fumes emitted from the pores, ideas were supposedly committed to memory by being di
This study of illicit sexuality in medieval England explores links between marriage and sex, law and disorder, and property and power. Some medieval Englishwomen endured rape or were kidnapped for forced marriages, yet most ravished women were married and many 'wife-thefts' were not forced kidnappings but cases of adultery fictitiously framed as abduction by abandoned husbands. In pursuing the themes of illicit sexuality and non-normative marital practices, this work analyses the nuances of the key Latin term raptus and the three overlapping offences that it could denote: rape, abduction and adultery. This investigation broadens our understanding of the role of women in the legal system; provides a means for analysing male control over female bodies, sexuality and access to the courts; and reveals ways in which female agency could, on occasion, manoeuvre around such controls.
This study of illicit sexuality in medieval England explores links between marriage and sex, law and disorder, and property and power. Some medieval Englishwomen endured rape or were kidnapped for forced marriages, yet most ravished women were married and many 'wife-thefts' were not forced kidnappings but cases of adultery fictitiously framed as abduction by abandoned husbands. In pursuing the themes of illicit sexuality and non-normative marital practices, this work analyses the nuances of the key Latin term raptus and the three overlapping offences that it could denote: rape, abduction and adultery. This investigation broadens our understanding of the role of women in the legal system; provides a means for analysing male control over female bodies, sexuality and access to the courts; and reveals ways in which female agency could, on occasion, manoeuvre around such controls.
This revisionary study of the origins of courtly poetry reveals the culture of spectatorship and voyeurism that shaped early Tudor English literary life. Through research into the reception of Chaucer's Troilus and Criseyde, it demonstrates how Pandarus became the model of the early modern courtier. His blend of counsel, secrecy and eroticism informed the behaviour of poets, lovers, diplomats and even Henry VIII himself. In close readings of the poetry of Hawes and Skelton, the drama of the court, the letters of Henry VIII to Anne Boleyn, the writings of Thomas Wyatt, and manuscript anthologies and early printed books, Seth Lerer illuminates a 'Pandaric' world of displayed bodies, surreptitious letters and transgressive performances. In the process, he redraws the boundaries between the medieval and the Renaissance and illustrates the centrality of the verse epistle to the construction of subjectivity.
