Reverse paintings on glass occupy a special place in Chinese art, spanning the genres of glass working, export art, folk art, erotica, and meiren hua (paintings of beauties). Their unique appearance is the result of a challenging production process in which artists layer pigments in the reverse order of the normal painting procedure–highlights first, then mid-layers, and finally base colours. The final product is viewed in reverse from the opposite side of the glass, which must also be considered when creating the paintings. A product of the encounter between East and West, the manufacture of glass paintings in China was stimulated by European glass paintings brought to the imperial court by traders and diplomats in the seventeenth century. Initially made in Canton for Western consumers, by the eighteenth century their production had spread throughout China, with subjects and styles adapted to suit local tastes. The glass paintings in the Mei Lin Collection represent this later floweri
Used since the 10th century as a guide to enlightened behavior, this book reveals the true meaning of love, friendship, and generosity as a means to spiritual development.
One of today's leading Lutheran theologians analyzes Luther's theological aesthetics, arguing that the cross is the lens through which the beauty of God is reflected into the world.
In this society in which the essential is generally considered incidental (which is reflected in the unbearable dullness of the contemporary man), Catherine David picks the essence from inconspicuous
The strong horizontals of bamboo reflected in a dark circle of water; the rhythmic clap of the deer scarer; the contemplative beauty of waves created in sand: combinations of nature and art that soot
This deluxe slipcase edition of Anatomy in Black is the ultimate sophisticated coffee table book for anatomy lovers. The beauty of human anatomy is reflected in a contemporary hardback book, created e
From first to last, Picasso’s prime subject was the human figure and portraiture remained a favourite genre. His earliest portraits were done from life and reveal a precocious ability to catch likeness and suggest character and state of mind. By 1900 Picasso was producing portraits of astonishing variety and thereafter they reflected the full range of his innovative styles – symbolist, cubist, neoclassical, surrealist, expressionist. But however extreme his departure from representational conventions, Picasso never wholly abandoned drawing from the sitter or ceased producing portraits of classic beauty and naturalism. For all his radical originality, Picasso remained in constant dialogue with the art of the past and his portraits often alluded to canonical masterpieces, chosen for their appropriateness to the looks and personality of his subject. Treating favourite Old Masters as indecorously as his intimate friends, he enjoyed caricaturing them and indulging in fantasies about their s
The eminent art historian Gerard Baldwin Brown (1849–1932) held, for fifty years, the first Chair in the History of Art in Britain at the University of Edinburgh. He published on a wide range of art and architecture; his major work was the six-volume Arts in Early England (1903–1937). His interest in the wider social context of art was reflected in his concern for the preservation of ancient monuments for the public. It was after the publication of the present book in 1906 that Brown was appointed member of a Royal Commission to compile an inventory of ancient Scottish monuments. The first half of the book outlines best practice for the preservation of monuments and architectural and natural beauty. The second part, based on extensive secondary literature and official documentation, demonstrates how other countries managed their historic monuments: in Europe, India, the Middle East and the United States.
This simple and highly accessible non-fiction guide to BDSM (Bondage, Dominance, Sadism, and Masochism) features 50 edgy and erotic adventures to sample and is the perefct companion for the millions of fans of the Fifty Shades trilogy (Fifty Shades of Grey, Fifty Shades Darker and Fifty Shades Freed), the Anne Rice/A.N. Roquelaure Sleeping Beauty trilogy (The Claiming of Sleeping Beauty, Beauty's Punishment, Beauty's Release) and Sylvia Day's Crossfire novels (Bared to You and Reflected in You). This instruction book for couples contains one warning: you should try this at home!From turning your ho hum bedroom into a “Red Room of Desire,” to exploring the fine art of Japanese rope bondage—and a few other ideas perhaps better not mentioned in polite company—50 Ways to Play invites couples who might otherwise think of themselves as “average” or “nice” to walk on the wild side. According to husband-and-wife writers Debra and Don Macleod, sex should pack a punch—it’s meant to catch you off
The simple beauty of Japanese architecture and design has inspired many of the world's top architects and designers. The grace and elegance of the Japanese sensibility is reflected in both modern and
In this book David Wyatt examines the mythology of California as it is reflected in the literature of the region. He argues that in the literature of the West, the energies, which, in other regions, had been concentrated in covenant theology or the rationalisation of Southern history, are displaced into an encounter with landscape. Tracing the early literature of California to Dana, Leonard, and Fremont, Wyatt studies their development of self-consciousness and awareness of the physical beauty in nature. He then examines in separate chapters the writings of Muir, King, and Mary Austin during a time of domestication and exploitation of the land when landscape became, of necessity, an idea or lost ideal. Of twentieth-century writers, the book focuses on Norris, Steinbeck, and Chandler, who seemed to struggle against the land, charting the advance of human hopes against the vast open spaces of the West. Professor Wyatt concludes with the writer's return to landscape as source and end in t
In this book David Wyatt examines the mythology of California as it is reflected in the literature of the region. He argues that in the literature of the West, the energies, which, in other regions, had been concentrated in covenant theology or the rationalisation of Southern history, are displaced into an encounter with landscape. Tracing the early literature of California to Dana, Leonard, and Fremont, Wyatt studies their development of self-consciousness and awareness of the physical beauty in nature. He then examines in separate chapters the writings of Muir, King, and Mary Austin during a time of domestication and exploitation of the land when landscape became, of necessity, an idea or lost ideal. Of twentieth-century writers, the book focuses on Norris, Steinbeck, and Chandler, who seemed to struggle against the land, charting the advance of human hopes against the vast open spaces of the West. Professor Wyatt concludes with the writer's return to landscape as source and end in t
The beauty and strength of the landscape ofnorthwestern Maine is reflected in the people whohave lived here since the area was first settled in themid-nineteenth century. Arriving from as far away asS
A poignant and relatable novel, Looking Glass Lies captures the war women wage against themselves, and the struggle to see beauty reflected in a mirror not distorted by society’s unrelenting expectati
When Samuel F. Smith wrote the lyrics to "America" in 1832, he said he was inspired by Andover's beauty, which is reflected in his second stanza: "I love thy rocks and rills, Thy woods and templed hil
This history of the Crow Indians links their nineteenth-century nomadic life and their modern existence. The Crows not only withstood the dislocation and conquest that was visited upon them after 1805, but acted in the midst of these events to construct a modern Indian community - a nation. Their efforts sustained the pride and strength reflected in Chief Plenty Coups' statement in 1925 that he did 'not care at all what historians have to say about Crow Indians,' as well as their community's faith in the beauty of its traditions and its inventions. Frederick Hoxie demonstrates that contact with outsiders drew the Crows together and tested their ability to adapt their traditions to new conditions. He emphasizes political life, but also describes changes in social relations, religious beliefs and economic activities. His final chapter discusses the significance of the Crow experience for American history in general.
