This volume focuses on a formative period in the history and archaeology of northern Greece, the decade after Thessaloniki became part of Greece, a period marked by an extraordinary internationalism a
This is the first monograph dedicated to the history of Greek military service for the Achaemenid Persian Empire and the Kingdom of Egypt from the rebellion of Cyrus the Younger to the conquests of Alexander the Great. Through careful analysis of the political contexts of their recruitment and detailed reconstructions of their performances as soldiers and generals on the battlefield, Jeffrey Rop overturns the traditional view that the Greeks who fought in the Near East were mercenaries hired for their superior military skills as heavily armored hoplites. The presence of unprecedented numbers of Greek infantry in the armies of Persia and Egypt is not evidence that the levies of these states were militarily inferior or deficient, but a clear sign of unprecedented foreign political influence among the most powerful leaders and cities of Greece for much of the fourth century.
Stigma is a corrosive social force by which individuals and communities throughout history have been systematically dehumanised, scapegoated and oppressed. From the literal stigmatizing (tattooing) of criminals in ancient Greece, to modern day discrimination against Muslims, refugees and the 'undeserving poor', stigma has long been a means of securing the interests of powerful elites.In this radical reconceptualisation Tyler precisely and passionately outlines the political function of stigma as an instrument of state coercion. Through an original social and economic reframing of the history of stigma, Tyler reveals stigma as a political practice, illuminating previously forgotten histories of resistance against stigmatization, boldly arguing that these histories provide invaluable insights for understanding the rise of authoritarian forms of government today.
Theatre has engaged with science since its beginnings in Ancient Greece. The intersection of the two disciplines has been the focus of increasing interest to scholars and students. The Cambridge Companion to Theatre and Science gives readers a sense of this dynamic field, using detailed analyses of plays and performances covering a wide range of areas including climate change and the environment, technology, animal studies, disease and contagion, mental health, and performance and cognition. Identifying historical tendencies that have dominated theatre's relationship with science, the volume traces many periods of theatre history across a wide geographical range. It follows a simple and clear structure of pairs and triads of chapters that cluster around a given theme so that readers get a clear sense of the current debates and perspectives.
Theatre has engaged with science since its beginnings in Ancient Greece. The intersection of the two disciplines has been the focus of increasing interest to scholars and students. The Cambridge Companion to Theatre and Science gives readers a sense of this dynamic field, using detailed analyses of plays and performances covering a wide range of areas including climate change and the environment, technology, animal studies, disease and contagion, mental health, and performance and cognition. Identifying historical tendencies that have dominated theatre's relationship with science, the volume traces many periods of theatre history across a wide geographical range. It follows a simple and clear structure of pairs and triads of chapters that cluster around a given theme so that readers get a clear sense of the current debates and perspectives.
How healthy were people in ancient Greece and Rome, and how did they think about maintaining and restoring their health?For students of classics, history or the history of medicine, answers to these a
