"Though his friends warn him to stay home, Billy the Goat takes a voyage to find treasure. Along the way, he is challenged by monsters of Greek mythology."
Plato's dialogues frequently criticize traditional Greek myth, yet Plato also integrates myth with his writing. Daniel S. Werner confronts this paradox through an in-depth analysis of the Phaedrus, Plato's most mythical dialogue. Werner argues that the myths of the Phaedrus serve several complex functions: they bring nonphilosophers into the philosophical life; they offer a starting point for philosophical inquiry; they unify the dialogue as a literary and dramatic whole; they draw attention to the limits of language and the limits of knowledge; and they allow Plato to co-opt cultural authority as a way of defining and legitimating the practice of philosophy. Platonic myth, as a species of traditional tale, is thus both distinct from philosophical dialectic and similar to it. Ultimately, the most powerful effect of Platonic myth is the way in which it leads readers to participate in Plato's dialogues and to engage in a process of self-examination.
Revisiting Delphi speaks to all admirers of Delphi and its famous prophecies, be they experts on ancient Greek religion, students of the ancient world, or just lovers of a good story. It invites readers to revisit the famous Oracle of Apollo at Delphi, along with Herodotus, Euripides, Socrates, Pausanias and Athenaeus, offering the first comparative and extended enquiry into the way these and other authors force us to move the link between religion and narrative centre stage. Their accounts of Delphi and its prophecies reflect a world in which the gods frequently remain baffling and elusive despite every human effort to make sense of the signs they give.
Plato's dialogues frequently criticize traditional Greek myth, yet Plato also integrates myth with his writing. Daniel S. Werner confronts this paradox through an in-depth analysis of the Phaedrus, Plato's most mythical dialogue. Werner argues that the myths of the Phaedrus serve several complex functions: they bring nonphilosophers into the philosophical life; they offer a starting point for philosophical inquiry; they unify the dialogue as a literary and dramatic whole; they draw attention to the limits of language and the limits of knowledge; and they allow Plato to co-opt cultural authority as a way of defining and legitimating the practice of philosophy. Platonic myth, as a species of traditional tale, is thus both distinct from philosophical dialectic and similar to it. Ultimately, the most powerful effect of Platonic myth is the way in which it leads readers to participate in Plato's dialogues and to engage in a process of self-examination.
Slavery in ancient Greece was commonplace. In this book Sara Forsdyke uncovers the wide range of experiences of slaves and focuses on their own perspectives, rather than those of their owners, giving a voice to a group that is often rendered silent by the historical record. By reading ancient sources 'against the grain,' and through careful deployment of comparative evidence from more recent slave-owning societies, she demonstrates that slaves engaged in a variety of strategies to deal with their conditions of enslavement, ranging from calculated accommodation to full-scale rebellion. Along the way, she establishes that slaves made a vital contribution to almost all aspects of Greek society. Above all, despite their often brutal treatment, they sometimes displayed great ingenuity in exploiting the tensions and contradictions within the system of slavery.
We rarely think about the way languages work because communicating in our native tongue comes so naturally to us. The Bible was written in ancient Hebrew, Aramaic, and Greek—languages no modern reader
In this pathbreaking interpretation of Plato’s foundational text of political philosophy, Carolina Araújo reveals how the Republic remains ripe for an interpretation grounded in notions of cooperation, flourishing and justice relevant to the diversity of contemporary life. Plato’s Republic has the Greek name of Politeia that Araújo translates as “the way of life of the citizens,” not “the State” or “the form of government” as it more traditionally rendered. Plato’s treatise, Politeia , depicts the rich array of patterns emerging from human interaction and enquires into the best amongst them. Cooperative Flourishing in Plato’s Republic returns to these important questions about society – how to live with a vast diversity of personalities, with different interests and abilities, all of them trying to flourish – and asks how best can we share our environment? With rigorous philosophical analysis of the Greek text, accompanied by original translations of the most important passag
For many years, the development of theories about the way children learn to read and write was dominated by studies of English-speaking populations. As we have learned more about the way that children learn to read and write other scripts - whether they have less regularity in their grapheme-phoneme correspondences or do not make use of alphabetic symbols at all - it has become clear that many of the difficulties that confront children learning to read and write English specifically are less evident, or even non-existent, in other populations. At the same time, some aspects of learning to read and write are very similar across scripts. The unique cross-linguistic perspective offered in this book, including chapters on Japanese, Greek and the Scandinavian languages as well as English, shows how the processes of learning to read and spell are affected by the characteristics of the writing system that children are learning to master.
This is a major reinterpretation of ancient philosophy that recovers the long Greek and Roman tradition of philosophy as a complete way of life--and not simply an intellectual discipline. Distinguishe
In this volume, first published in 2006, Sandra Blakely considers technological myths and rituals associated with ancient Greek daimones, who made metal; and African rituals in which iron plays a central role. Noting the rich semantic web of associations that has connected metallurgy to magic, birth, kingship, autochthony, and territorial possession in both Greek and African cultures, Blakely examines them together in order to cast light on the Greek demons, which are only fragmentarily preserved and which have often been equated to general types of smithing gods. Her comparison demonstrates that these demons are more sophisticated and ritually useful than has been previously acknowledged. This book provides new insights into the position of technology in Greek myth. Providing a new methodology for the study of Greek religion, which uses comparative cultural material in a thoughtful and careful way, it helps close the fifty-year gap between the social sciences and Classical philology i
Hannibal’s enduring reputation as a man and as a general is due to his enemies’ fascination with him. The way his legend was shaped in the Greek and Roman consciousness is one of the book’s main theme
This collection of essays explores the way that Ancient Greek historian Thucydides has influenced both historians as well as literary scholars. The essays are organized into five sections on ideas of
This companion volume to Sexual Life in Ancient Rome characterizes the difference between Greek and Roman sexual practices this way: "The inmost nature of the Greeks is naked sensuality, which, inde
Greek myths get unspeakably hot new twists in this contemporary series from New York Times and USA Today bestselling author Katee RobertWhen Achilles Kallis's mother fell out of favor in Olympus, he vowed that he'd do whatever it took to claw his family's way back into the inner circle. Now that the former Ares is gone and the coveted role has opened to anyone with the strength to claim it, he and his partner, Patroclus Fotos, plan to both compete and double their odds of winning. Neither expect the infamous beauty Helen Kasios to be part of the prize...or for the sparks that fly when the three of them reunite after so many years apart.Zeus may have decided Helen is his to give away, but she has her own plans. She enters the competition as a middle finger to the meddling Thirteen, effectively vying for her own hand in marriage. The only people she can trust are the ones she can't quite keep her hands off―Achilles and Patroclus. But even they might not be strong enough to help her face
Archaic Greece saw a number of decisive changes, including the emergence of the polis, the foundation of Greek settlements throughout the Mediterranean and Black Sea, the organization of panhellenic games and festivals, the rise of tyranny, the invention of literacy, the composition of the Homeric epics and the emergence of lyric poetry, the development of monumental architecture and large scale sculpture, and the establishment of 'democracy'. This book argues that the best way of understanding them is the application of an eclectic Marxist model of class struggle, a struggle not only over control of agricultural land but also over cultural ideals and ideology. A substantial theoretical introduction lays out the underlying assumptions in relation to alternative models. Material and textual remains of the period are examined in depth for clues to their ideological import, while later sources and a wide range of modern scholarship are evaluated for their explanatory power.
As the first full-length study to analyse utopian plays in Western drama from antiquity to the present, Utopian Drama: In Search of a Genre offers an illuminating appraisal of the objectives of utopianism as manifested in drama through the ages, and carefully ascertains the added value that live performance brings to the persuasion of utopian thought. Siân Adiseshiah scrutinises the distinctive intervention of utopian drama through its examination alongside the utopian prose tradition – in this way, the book establishes new ways of approaching utopian aesthetics and new ways of interpreting utopian drama. This book provides fresh understandings of the generic features of utopian plays, identifies the gains of establishing a new genre, and ascertains ways in which this genre functions as political theatre. Referring to over 40 plays, of which 18 are examined in detail, Utopian Drama traces the emergence of the utopian play in the Western tradition from ancient Greek Comedy to exp
This book will change the way you look at money. Money may seem hopelessly mundane and culturally meaningless, but it has dominated - and documented - world history since the time of the ancient Greek
Dionysus after Nietzsche examines the way that The Birth of Tragedy (1872) by Friedrich Nietzsche irrevocably influenced twentieth-century literature and thought. Adam Lecznar argues that Nietzsche's Dionysus became a symbol of the irrational forces of culture that cannot be contained, and explores the presence of Nietzsche's Greeks in the diverse writings of Jane Harrison, D. H. Lawrence, Martin Heidegger, Richard Schechner and Wole Soyinka (amongst others). From Jane Harrison's controversial ideas about Greek religion in an anthropological modernity, to Wole Soyinka's reimagining of a postcolonial genre of tragedy, each of the writers under discussion used the Nietzschean vision of Greece to develop subversive discourses of temporality, identity, history and classicism. In this way, they all took up Nietzsche's call to disrupt pre-existing discourses of classical meaning and create new modes of thinking about the Classics that speak to the immediate concerns of the present.
Greek culture matters because its unique pluralistic debate shaped modern discourses. This ground-breaking book explains this feature by retelling the history of ancient literary culture through the lenses of canon, space and scale. It proceeds from the invention of the performative 'author' in the archaic symposium through the 'polis of letters' enabled by Athenian democracy and into the Hellenistic era, where one's space mattered and culture became bifurcated between Athens and Alexandria. This duality was reconfigured into an eclectic variety consumed by Roman patrons and predicated on scale, with about a thousand authors active at any given moment. As patronage dried up in the third century CE, scale collapsed and literary culture was reduced to the teaching of a narrower field of authors, paving the way for the Middle Ages. The result is a new history of ancient culture which is sociological, quantitative, and all-encompassing, cutting through eras and genres.
