Be a fly on the wall in the time of the ancient Greeks. Follow Greek warrior Agathon on his way home from battle, listen to Ariston tell tales of brave Odysseus, learn Alpha to Omega with mischievous
This survey of recent work on Herodotus, Thucydides, and Polybius focuses on new developments in the study of Greek historiography and synthesises some of the most important research from the last thirty years. There is a detailed treatment of each writer, with an emphasis on analysis of the historians' sources, their narrative methods, and their use of speeches. Also examined are the structure and themes of each man's work, together with consideration of the way each historian employs characterisation. The book provides a full bibliography of recent work done mainly (but not exclusively) in English, and suggests future directions that the study of these historians may take. It will be of interest to upper-level students and scholars who would like an overview of recent trends in the study both of the historians themselves and of ancient Greek historiography in general.
211BCE. The Roman invasion from the western seas is imminent, and from the south the Spartans are burning and pillaging their way north. Battle-hardened Philopoemen believes the Achean League is facin
Repetition and symmetry are the fundamental aesthetic principles underlying the shape and decoration of ancient Athenian vases. This book is the first comprehensive study of the role of repetition beyond its aesthetic value, and as part of a code that conveys meaning to the viewer. Relying on the theoretical background provided through information theory and narratology, Ann Steiner uncovers the different kinds of meaning that painters created through the use of repetition. Using the reading of painted verbal inscriptions as a springboard, she demonstrates how repetition of imagery in multiple fields of a vase can create narration, paradigm, exploration of perceptual and ideological points of view, and parody. Steiner shows how the results of repetition on Archaic Athenian vases reiterate the activities of the elite symposion and the broader cultural values of the elite Athenians. She provides an entirely new way to read ancient Athenian vases.
This book is an advanced critical introduction to Greek tragedy. It is written specifically for the reader who does not know Greek and who may be unfamiliar with the context of the Athenian drama festival but who nevertheless wants to appreciate the plays in all their complexity. Simon Goldhill aims to combine the best contemporary scholarly criticism in classics with a wide knowledge of modern literary studies in other fields. He discusses the masterpieces of Athenian drama in the light of contemporary critical controversies in such a way as to enable the student or scholar not only to understand and appreciate the texts of the most commonly read plays, but also to evaluate and utilize the range of approaches to the problems of ancient drama.
Repetition and symmetry are the fundamental aesthetic principles underlying the shape and decoration of ancient Athenian vases. This book is the first comprehensive study of the role of repetition beyond its aesthetic value, and as part of a code that conveys meaning to the viewer. Relying on the theoretical background provided through information theory and narratology, Ann Steiner uncovers the different kinds of meaning that painters created through the use of repetition. Using the reading of painted verbal inscriptions as a springboard, she demonstrates how repetition of imagery in multiple fields of a vase can create narration, paradigm, exploration of perceptual and ideological points of view, and parody. Steiner shows how the results of repetition on Archaic Athenian vases reiterate the activities of the elite symposion and the broader cultural values of the elite Athenians. She provides an entirely new way to read ancient Athenian vases.
Understanding Greek Tragic Theatre, a revised edition of Greek Tragic Theatre (1992), is intended for those interested in how Greek tragedy works. By analysing the way the plays were performed in fift
Understanding Greek Tragic Theatre, a revised edition of Greek Tragic Theatre (1992), is intended for those interested in how Greek tragedy works. By analysing the way the plays were performed in fift
This anthology presents the early sages of Western philosophy and science who paved the way for Plato and Aristotle and their successors. Democritus's atomic theory of matter, Zeno's dazzling "proofs"
Originally published in 1960, Dr Hodge's study deals with the construction of the wooden parts of the roofing of classical Greek temples of the era 600–400 BC in Greece, southern Italy and Sicily. There were no fragments remaining of these wooden members (rafters, ridge-beams and purlins), so Dr Hodge demonstrates the original position and function of the timbers from the way the stonework was cut to fit round them, and to a lesser extent from ancient documents. Dr Hodge is able to define a widely used type of roof (the Gaggera roof) and ceiling (the slot ceiling) not hitherto noticed, and makes a suggestion about the possible origin of the triangular tie-beam truss, as well as collating existing knowledge of the time. There are about 50 photographs and a number of detailed architectural drawings.
This accessible book + audio course for beginning-level learners of GreekRead and Speak Greek for Beginners provides an accessible, entertaining program that will help you reinforce vocabulary
Julia has everything money can buy...except for acceptance by either the Gentiles or the Jews. Her Greek father already has a wife and family, leaving Julia and her Hebrew mother second-class citizen
Edith Hall offers an introduction to Greek tragedy which argues that the essential feature of the genre is that it depicts terrible human suffering and death, but in a way that invites philosophical e
The idea of the unity of mankind did not come easily to the Greeks. Its eventual emergence has been ascribed to various sources, not least to Alexander the Great. Professor Baldry believes that it cannot be attributed to any single individual, but that the true picture is a long and complicated chain of development to which many contributed. In this book Professor Baldry describes this development from Homer to Cicero when, although the traditional divisions and prejudices still remained string, the idea of unity had become part of the outlook of civilised man. He discusses the contribution of thinkers such as Antiphon, Aristotle, the Cynics or Zeno; the influence of great historical movements like the rise of Macedon and Rome; and also the obstacles that stood in the way - the divisions between Greek and barbarian, free and slave, enlightened and unenlightened, even man and woman. This study will interest not only classical scholars but historians and philosophers. In particular Profe
The poems of Theocritus are our best witness to a brilliant poetic culture that flourished in the first half of the third century BC. This book considers the context from which these poems grew and, in particular, the manner in which they engage with and recreate the poetic forms of the Greek archaic age. The focus is not on the familiar bucolic poems of Theocritus, but on the hymns, mimes and erotic poems of the second half of the corpus. Recent papyri have greatly increased our understanding of how Theocritus read archaic poetry, and these discoveries are fully exploited in a set of readings which will change the way we look at Hellenistic poetry.
The poems of Theocritus are our best witness to a brilliant poetic culture that flourished in the first half of the third century BC. This book considers the context from which these poems grew and, in particular, the manner in which they engage with and recreate the poetic forms of the Greek archaic age. The focus is not on the familiar bucolic poems of Theocritus, but on the hymns, mimes and erotic poems of the second half of the corpus. Recent papyri have greatly increased our understanding of how Theocritus read archaic poetry, and these discoveries are fully exploited in a set of readings which will change the way we look at Hellenistic poetry.
Recent scholarship has acknowledged that the intertextual discourse of ancient comedy with previous and contemporary literary traditions is not limited to tragedy. This book is a timely response to the more sophisticated and theory-grounded way of viewing comedy's interactions with its cultural and intellectual context. It shows that in the process of its self-definition, comedy emerges as voracious and multifarious with a wide spectrum of literary, sub-literary and paraliterary traditions, the engagement with which emerges as central to its projected literary identity and, subsequently, to the reception of the genre itself. Comedy's self-definition through generic discourse far transcends the (narrowly conceived) 'high-low' division of genres. This book explores ancient comedy's interactions with Homeric and Hesiodic epic, iambos, lyric, tragedy, the fable tradition, the ritual performances of the Greek polis, and its reception in Platonic writings and Alexandrian scholarship, within
