A Greek and Arabic Lexicon is the first systematic attempt to present in an analytical and rationalized way our knowledge of the vocabulary of the translations. It is based on the glossaries included
Parmenides was a philosopher, healer, and spiritual guide in fifth-century BC Elea, a Greek outpost on the western coast of Italy. Around 450 BC he and a young Socrates engaged in a debate on the natu
Acclaimed Greek-American chef and author of How to Roast a Lamb returns with a cookbook that highlights the deliciousness and proven health benefits of the Mediterranean diet.Psilakis's mission is to
Discovering the way people in ancient cultures conducted their lives is fascinating for young people, and learning how these people counted and calculated is a part of understanding these cultures. Th
In 1887, when the first volume of this work was published, Greek epigraphy was not systematically studied or taught in English universities, and the book was specifically written to supply a need for 'a popular work, giving a classification of Greek inscriptions according to their age, country and subject, and a selection of texts by way of samples, under each class'. The first volume contains a historical sketch of the Greek alphabet and a sequence of inscriptions showing its development across the Mediterranean area and Asia Minor until the end of the fifth century CE. The second volume, written with E. A. Gardner and published in 1905, focuses on the inscriptions found in Attica, and especially Athens. Each is given in transcription, with suggested restorations and the reproduction of unusual characters where the value is not certain, and with full explanatory notes.
This volume brings together eleven papers written by specialists of ancient philosophy, focusing on philosophical polemics from the Classical to the Roman period, by way of Hellenistic philosophy.
Although recent scholarship has focused on the city-state as the context for the production of Greek poetry, for poets and performers travel was more the norm than the exception. This book traces this central aspect of ancient culture from its roots in the near Eastern societies which preceded the Greeks, through the way in which early semi-mythical figures such as Orpheus were imagined, the poets who travelled to the brilliant courts of archaic tyrants, and on into the fluid mobility of imperial and late antique culture. The emphasis is both on why poets travelled, and on how local communities used the skills of these outsiders for their own purposes. Wandering poets are also set within the wider context of ancient networks of exchange, patronage and affiliation between communities and are seen as one particularly powerful manifestation of a feature of ancient life which is too often overlooked.
Although recent scholarship has focused on the city-state as the context for the production of Greek poetry, for poets and performers travel was more the norm than the exception. This book traces this central aspect of ancient culture from its roots in the near Eastern societies which preceded the Greeks, through the way in which early semi-mythical figures such as Orpheus were imagined, the poets who travelled to the brilliant courts of archaic tyrants, and on into the fluid mobility of imperial and late antique culture. The emphasis is both on why poets travelled, and on how local communities used the skills of these outsiders for their own purposes. Wandering poets are also set within the wider context of ancient networks of exchange, patronage and affiliation between communities and are seen as one particularly powerful manifestation of a feature of ancient life which is too often overlooked.
Eros and Polis examines how and why Greek theorists treated political passions as erotic. Because of the tiny size of ancient Greek cities, contemporary theory and ideology could conceive of entire communities based on desire. A recurrent aspiration was to transform the polity into one great household that would bind the citizens together through ties of mutual affection. In this study, Paul Ludwig evaluates sexuality, love and civic friendship as sources of political attachment and as bonds of political association. Studying the ancient view of eros recovers a way of looking at political phenomena that provides a bridge, missing in modern thought, between the private and public spheres, between erotic love and civic commitment. Ludwig's study thus has important implications for the theoretical foundations of community.
Eros and Polis examines how and why Greek theorists treated political passions as erotic. Because of the tiny size of ancient Greek cities, contemporary theory and ideology could conceive of entire communities based on desire. A recurrent aspiration was to transform the polity into one great household that would bind the citizens together through ties of mutual affection. In this study, Paul Ludwig evaluates sexuality, love and civic friendship as sources of political attachment and as bonds of political association. Studying the ancient view of eros recovers a way of looking at political phenomena that provides a bridge, missing in modern thought, between the private and public spheres, between erotic love and civic commitment. Ludwig's study thus has important implications for the theoretical foundations of community.
This volume explores the conceptual terrain defined by the Greek word eikos: the probable, likely, or reasonable. A term of art in Greek rhetoric, a defining feature of literary fiction, a seminal mode of historical, scientific, and philosophical inquiry, eikos was a way of thinking about the probable and improbable, the factual and counterfactual, the hypothetical and the real. These thirteen original and provocative essays examine the plausible arguments of courtroom speakers and the 'likely stories' of philosophers, verisimilitude in art and literature, the likelihood of resemblance in human reproduction, the limits of human knowledge and the possibilities of ethical and political agency. The first synthetic study of probabilistic thinking in ancient Greece, the volume illuminates a fascinating chapter in the history of Western thought.
This collection of twenty essays examines the art, profession and idea of the actor in Greek and Roman antiquity, and has been commissioned and arranged to cast as much interdisciplinary and transhistorical light as possible on these elusive but fascinating ancient professionals. It covers a chronological span from the sixth century BC to Byzantium (and even beyond to the way that ancient actors have influenced the arts from the Renaissance to the twentieth century) and stresses the huge geographical spread of ancient actors. Some essays focus on particular themes, such as the evidence for women actors or the impact of acting on the presentation of suicide in literature; others offer completely new evidence, such as graffiti relating to actors in Asia Minor; others ask new questions, such as what subjective experience can be reconstructed for the ancient actor. There are numerous illustrations and all Greek and Latin passages are translated.
This collection of twenty essays examines the art, profession and idea of the actor in Greek and Roman antiquity, and has been commissioned and arranged to cast as much interdisciplinary and transhistorical light as possible on these elusive but fascinating ancient professionals. It covers a chronological span from the sixth century BC to Byzantium (and even beyond to the way that ancient actors have influenced the arts from the Renaissance to the twentieth century) and stresses the huge geographical spread of ancient actors. Some essays focus on particular themes, such as the evidence for women actors or the impact of acting on the presentation of suicide in literature; others offer completely new evidence, such as graffiti relating to actors in Asia Minor; others ask new questions, such as what subjective experience can be reconstructed for the ancient actor. There are numerous illustrations and all Greek and Latin passages are translated.
The publication in 1881 of The New Testament in the Original Greek, by the Cambridge scholars Brooke Foss Westcott (1825–1901) and Fenton John Anthony Hort (1828–92), marked the culmination of twenty-eight years of work and revolutionised the theory and methods of New Testament textual criticism. The editors broke with tradition and reconstructed a critical text based on the third-century uncial manuscripts Codex Vaticanus and Codex Sinaiticus, paving the way for future editions. Westcott and Hort's claim to reconstruct the 'original text' may seem extravagant today; but according to Bruce Metzger theirs was the 'most noteworthy critical edition of the Greek Testament ever produced by British scholarship'.
Ruth Padel explores Greek conceptions of human innerness and the way in which Greek tragedy shaped European notions of mind and self. Arguing that Greek poetic language connects images of consciousnes
“A true, balanced bioarchaeological work of scholarship elucidating the way of life and death for the people of Passo Marinaro.”—Sherry C. Fox, coeditor ofNew Directions in the Skeletal Biology of Gre
This book is a sequel to Heaven and Earth in Ancient Greek Cosmology (Springer 2011). With the help of many pictures, the reader is introduced into the way of thinking of ancient believ
This book traces the image of the pregnant male in Greek literature as it evolved over the course of the classical period. The image - as deployed in myth and in metaphor - originated as a representation of paternity and, by extension, 'authorship' of ideas, works of art, legislation, and the like. Only later, with its reception in philosophy in the early fourth century, did it also become a way to figure and negotiate the boundary between the sexes. The book considers a number of important moments in the evolution of the image: the masculinist embryological theory of Anaxagoras of Clazomenae and other fifth century pre-Socratics; literary representations of the birth of Dionysus; the origin and functions of pregnancy as a metaphor in tragedy, comedy and works of some Sophists; and finally the redeployment of some of these myths and metaphors in Aristophanes' Assemblywomen and in Plato's Symposium and Theaetetus.
This book traces the image of the pregnant male in Greek literature as it evolved over the course of the classical period. The image - as deployed in myth and in metaphor - originated as a representation of paternity and, by extension, 'authorship' of ideas, works of art, legislation, and the like. Only later, with its reception in philosophy in the early fourth century, did it also become a way to figure and negotiate the boundary between the sexes. The book considers a number of important moments in the evolution of the image: the masculinist embryological theory of Anaxagoras of Clazomenae and other fifth century pre-Socratics; literary representations of the birth of Dionysus; the origin and functions of pregnancy as a metaphor in tragedy, comedy and works of some Sophists; and finally the redeployment of some of these myths and metaphors in Aristophanes' Assemblywomen and in Plato's Symposium and Theaetetus.
