A fantasy romance, by dazzling new talent Sarah Underwood, inspired by Greek mythology and the tale of Penelope's twelve hanged maids.'A lavish epic of power, vengeance, love and fate.'YA Book of the Month in The Observer (2/4/2023)'A lovely, lyrical fantasy which takes the fate of the hanged maids of the Odyssey and weaves something brand new. A story overflowing with emotion and full of magic.'Jennifer Saint, bestselling author of Ariadne and ElektraIn the cursed kingdom of Ithaca, each spring brings the hanging of twelve maidens, a gift to the vengeful Poseidon. But when Leto awakens from her death on the shore of a long-forgotten island, its enigmatic keeper Melantho tells her that there's only one way the curse can be broken.Leto must kill the last prince of Ithaca . . .In Lies We Sing to the Sea, debut author Sarah Underwood delivers a thrilling and breathtaking tale that will enthral readers from the very first page as they are transported to the cursed shores of Ithaca.A reclam
Herodotus in the Long Nineteenth Century traces the impact of Herodotus' Histories during a momentous period in world history - an era of heightened social mobility, religious controversy, scientific discovery and colonial expansion. Contributions by an international team of specialists in Greek historiography, classical archaeology, receptions, and nineteenth-century intellectual history shed new light on how the Histories were read, remembered, and re-imagined in historical writing and in an exciting array of real-world contexts: from the classrooms of English public schools and universities to the music hall, museum, or gallery; from the news-stand to the nursery; and from the banks of the Nile to the mountains of the Hindu Kush. They reveal not only how engagement with Herodotus' work permeated nationalist discourses of the period, but also the extent to which these national and disciplinary contexts helped shape the way both Herodotus and the ancient past have been understood and
Peter Evans's biography of Aristotle Onassis, Ari, met with great acclaim when it was published in 1986. Ari provided the world with an unprecedented glimpse of the Greek shipping magnate's orbit of dizzying wealth, twisted intrigues, and questionable mores. Not long after the book appeared, however, Onassis's daughter Christina and his longtime business partner Yannis Georgakis hinted to Evans that he had missed the "real story" -- one that proved Onassis's intrigues had deadly results. "I must begin," Georgakis said, "with the premise that, for Onassis, Bobby Kennedy was unfinished business from way back..." His words launched Evans into the heart of a story that tightly bound Onassis not to Jackie's first husband, but to his ambitious younger brother Bobby. A bitter rivalry emerged between Bobby and Ari long before Onassis and Jackie had even met. Nemesis reveals the tangled thread of events that linked two of the world's most powerful men in their intense hatred for one another and
Contrary to prevailing opinion, the roots of modern science were planted in the ancient and medieval worlds long before the Scientific Revolution of the seventeenth century. Indeed, that revolution would have been inconceivable without the cumulative antecedent efforts of three great civilisations: Greek, Islamic, and Latin. With the scientific riches it derived by translation from Greco-Islamic sources in the twelfth and thirteenth centuries, the Christian Latin civilisation of Western Europe began the last leg of the intellectual journey that culminated in a scientific revolution that transformed the world. The factors that produced this unique achievement are found in the way Christianity developed in the West, and in the invention of the university in 1200. As this 1997 study shows, it is no mere coincidence that the origins of modern science and the modern university occurred simultaneously in Western Europe during the late Middle Ages.
This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, and sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.
This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, and sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.
In ancient Athens, the Panathenaia was the most important festival and was celebrated in honour of Athena from the middle of the sixth century BC until the end of the fourth century AD. This in-depth study examines how this all-Athenian celebration was an occasion for constructing identities and how it affected those identities. Since not everyone took part in the same way, this differential participation articulated individuals' relationships both to the goddess and to the city so that the festival played an important role in negotiating what it meant to be Athenian (and non-Athenian). Julia Shear applies theories of identity formation which were developed in the social sciences to the ancient Greek material and brings together historical, epigraphical, and archaeological evidence to provide a better understanding both of this important occasion and of Athenian identities over the festival's long history.
Newton's mathematical researches during the last five years of his stay in Cambridge before leaving in April 1696 to take up his duties at the Mint in London have three main centres of interest: methods of fluxions and series, classical pure geometry, and Cartesian analytical geometry. Part 1 reproduces Newton's advances at this time in further extending the techniques of his combined calculus of fluxions and fluent, and of expansion into infinite series. Part 2 gives publication of Newton's lengthy excursions in the early 1690s into the modes of geometrical analysis used by the 'ancient' geometers, based – by way of Commandino's Latin translation – on the account of this little understood field of the Greek 'topos analuomenos' which was given by Pappus in the prolegomenon to the seventh book of his Mathematical Collection. Part 3 gives prominence to the final text of the Enumeratio Linearum Tertii Ordinis which Newton put together in June 1695.
How do archaeologists and artists reimagine what life was like during the Greek Bronze Age? How do contemporary conditions influence the way we understand the ancient past? This innovative book consid
This radical, profoundly scholarly book explores the purposes and nature of proof in a range of historical settings. It overturns the view that the first mathematical proofs were in Greek geometry and rested on the logical insights of Aristotle by showing how much of that view is an artefact of nineteenth-century historical scholarship. It documents the existence of proofs in ancient mathematical writings about numbers and shows that practitioners of mathematics in Mesopotamian, Chinese and Indian cultures knew how to prove the correctness of algorithms, which are much more prominent outside the limited range of surviving classical Greek texts that historians have taken as the paradigm of ancient mathematics. It opens the way to providing the first comprehensive, textually based history of proof.
In Psyche and Eros, first published in 1994, Gisela Labouvie-Vief describes historical and current concepts of mind and development, drawing from disciplines as diverse as philosophy, mythology, religion, literature, and psychology. She then presents a powerful theory of the maturing of mind, which brings together her empirical work and her exploration into mythology. The classical Greek myth of the gods Psyche and Eros serves as an evocative illustration of the author's theory. Psyche and Eros asserts that the core experience of development differs along gender lines. Rationality is regarded as masculine, while imagination is viewed as feminine. Competition between 'masculine' and 'feminine' parts of the mind has limited our ability to describe the mind and its development over the life course, just as it limits our experiences of development as men and women. The author suggests that we overcome the dualistic way of thinking about mind, and see how rationality and imagination can co
In Psyche and Eros, first published in 1994, Gisela Labouvie-Vief describes historical and current concepts of mind and development, drawing from disciplines as diverse as philosophy, mythology, religion, literature, and psychology. She then presents a powerful theory of the maturing of mind, which brings together her empirical work and her exploration into mythology. The classical Greek myth of the gods Psyche and Eros serves as an evocative illustration of the author's theory. Psyche and Eros asserts that the core experience of development differs along gender lines. Rationality is regarded as masculine, while imagination is viewed as feminine. Competition between 'masculine' and 'feminine' parts of the mind has limited our ability to describe the mind and its development over the life course, just as it limits our experiences of development as men and women. The author suggests that we overcome the dualistic way of thinking about mind, and see how rationality and imagination can co
These seminal essays introduce the reader to the interdisciplinary approach of New Testament scholarship which is affecting the way the Book of Acts is studied and interpreted. Insights from the social sciences, narratological studies, Greek and Roman rhetoric and history, and classics, set the Acts of the Apostles in its original historical, literary and social context; these methods of interpretation have not always been applied to biblical study in a systematic way. The discussions from a shared general perspective range over genre and method, historical and theological problems, and issues of literary criticism. History, Literature and Society in the Book of Acts is an interesting and valuable overview of some of the chief preoccupations of biblical studies with contributions from leading scholars in the Old and New Testaments and the history of antiquity.
The Greek word eoikos can be translated in various ways, being used to describe similarity, plausibility or even suitability. This book explores the philosophical exploitation of its multiple meanings by three philosophers, Xenophanes, Parmenides and Plato. It offers new interpretations of the way that each employs the term to describe the status of his philosophy, tracing the development of this philosophical use of eoikos from the fallibilism of Xenophanes through the deceptive cosmology of Parmenides to Plato's Timaeus. The central premise of the book is that, in reflecting on the eoikos status of their accounts, Xenophanes, Parmenides and Plato are manipulating the contexts and connotations of the term as it has been used by their predecessors. By focusing on this continuity in the development of the philosophical use of eoikos, the book serves to enhance our understanding of the epistemology and methodology of Xenophanes, Parmenides and Plato's Timaeus.
These seminal essays introduce the reader to the interdisciplinary approach of New Testament scholarship which is affecting the way the Book of Acts is studied and interpreted. Insights from the social sciences, narratological studies, Greek and Roman rhetoric and history, and classics, set the Acts of the Apostles in its original historical, literary and social context; these methods of interpretation have not always been applied to biblical study in a systematic way. The discussions from a shared general perspective range over genre and method, historical and theological problems, and issues of literary criticism. History, Literature and Society in the Book of Acts is an interesting and valuable overview of some of the chief preoccupations of biblical studies with contributions from leading scholars in the Old and New Testaments and the history of antiquity.
This radical, profoundly scholarly book explores the purposes and nature of proof in a range of historical settings. It overturns the view that the first mathematical proofs were in Greek geometry and rested on the logical insights of Aristotle by showing how much of that view is an artefact of nineteenth-century historical scholarship. It documents the existence of proofs in ancient mathematical writings about numbers and shows that practitioners of mathematics in Mesopotamian, Chinese and Indian cultures knew how to prove the correctness of algorithms, which are much more prominent outside the limited range of surviving classical Greek texts that historians have taken as the paradigm of ancient mathematics. It opens the way to providing the first comprehensive, textually based history of proof.
This is a highly original account of the design and development of Pakistan's capital city; one of the most iconic and ambitious urban reconstruction projects of the twentieth century. Balancing archival research with fresh, theoretical insights, Markus Daechsel surveys the successes and failures of Greek urbanist Constantinos A. Doxiadis's most ambitious endeavour, Islamabad, analysing how the project not only changed the international order, but the way in which the Pakistani state operated in the 1950s and 1960s. In dissecting Doxiadis's fraught encounter with Pakistani policy makers, bureaucrats and ordinary citizens, the book offers an unprecedented account of Islamabad's place in post-war international development. Daechsel provides new insights into this period and explores the history of development as a charged, transnational venture between foreign consultants and donors on the one side and the postcolonial nation state on the other.
This is a highly original account of the design and development of Pakistan's capital city; one of the most iconic and ambitious urban reconstruction projects of the twentieth century. Balancing archival research with fresh, theoretical insights, Markus Daechsel surveys the successes and failures of Greek urbanist Constantinos A. Doxiadis's most ambitious endeavour, Islamabad, analysing how the project not only changed the international order, but the way in which the Pakistani state operated in the 1950s and 1960s. In dissecting Doxiadis's fraught encounter with Pakistani policy makers, bureaucrats and ordinary citizens, the book offers an unprecedented account of Islamabad's place in post-war international development. Daechsel provides new insights into this period and explores the history of development as a charged, transnational venture between foreign consultants and donors on the one side and the postcolonial nation state on the other.
The role of Greek thought in the final days of the Roman republic is a topic that has garnered much attention in recent years. This volume of essays, commissioned specially from a distinguished international group of scholars, explores the role and influence of Greek philosophy, specifically Epicureanism, in the late republic. It focuses primarily (although not exclusively) on the works and views of Cicero, premier politician and Roman philosopher of the day, and Lucretius, foremost among the representatives and supporters of Epicureanism at the time. Throughout the volume, the impact of such disparate reception on the part of these leading authors is explored in a way that illuminates the popularity as well as the controversy attached to the followers of Epicurus in Italy, ranging from ethical and political concerns to the understanding of scientific and celestial phenomena.
The epic genre has at its heart a fascination with the horror of viewing death. Epic heroes have active visual power, yet become objects, turned into monuments, watched by two main audiences: the gods above and the women on the sidelines. This stimulating, ambitious study investigates the theme of vision in Greek and Latin epic from Homer to Nonnus, bringing the edges of epic into dialogue with celebrated moments (the visual confrontation of Hector and Achilles, the failure of Turnus' gaze), revealing epic as massive assertion of authority and fractured representation. Helen Lovatt demonstrates the complexity of epic constructions of gender: from Apollonius' Medea toppling Talos with her eyes to Parthenopaeus as object of desire. She discusses mortals appropriating the divine gaze, prophets as both penetrative viewers and rape victims, explores the divine authority of epic ecphrasis, and exposes the way that heroic bodies are fragmented and fetishised.
