This pioneering study harnesses virtual reality to uncover the history of five venues that have been 'lost' to us: London's 1590s Rose Theatre; Bergen's mid-nineteenth-century Komediehuset; Adelaide's Queen's Theatre of 1841; circus tents hosting Cantonese opera performances in Australia's goldfields in the 1850s; and the Stardust showroom in 1950s Las Vegas. Shaping some of the most enduring genres of world theatre and cultural production, each venue marks a significant cultural transformation, charted here through detailed discussion of theatrical praxis and socio-political history. Using virtual models as performance laboratories for research, Visualising Lost Theatres recreates the immersive feel of venues and reveals performance logistics for actors and audiences. Proposing a new methodology for using visualisations as a tool in theatre history, and providing 3D visualisations for the reader to consult alongside the text, this is a landmark contribution to the digital humanities.
Despair at Gallipoli. Victory at Vimy Ridge. A European generation lost, an American spirit found. The First World War, the deadly herald of a new era, continues to captivate readers. In this lively b
Milton and the Natural World overturns prevailing critical assumptions by offering a fresh view of Paradise Lost, in which the representation of Eden's plants and animals is shown to be fully cognizant of the century's new, scientific natural history. The fabulous lore of the old science is wittily debunked, and the poem embraces new imaginative and symbolic possibilities for depicting the natural world, suggested by the speculations of Milton's scientific contemporaries including Robert Boyle, Thomas Browne and John Evelyn. Karen Edwards argues that Milton has represented the natural world in Paradise Lost, with its flowers and trees, insects and beasts, as a text alive with meaning and worthy of close reading.
Sotheby's. New York City. On a warm June evening, with the auction-house showroom crammed with the wealthy, the curious, and the press, history was made when an anonymous man in a green golf sweater p
"A revelatory and wholly fascinating work of history. Superbly researched and written with gripping fluency, this lost secret of World War II espionage finally has its expert chronicler." - WILLIAM BO
Throughout the seventeenth century, Holland was the unrivalled centre of world trade and banking. This economic success fascinated contemporaries, and questions about it still exercise historians today. Is it appropriate to view the economic position of the Dutch during this period in terms of 'supremacy', or, as Immanuel Wallerstein has argued, of 'hegemony'? If so, how is this to be explained, as well as measured? Did it mark a radically new stage in the history of international trade? Was the role of Amsterdam really more important than that of Antwerp and Venice together? And how did such a dominant position, once gained, come to be lost to England, who in turn surrendered it to the United States? These questions remain crucial to anyone wishing to understand the dynamics of the development of capitalist world economy in the modern period, and in this book some thirty historians attempt to provide answers to them.
Amidst the ruins of postwar Europe, and just as the Cold War dawned, many new memorials were dedicated to those Americans who had fought and fallen for freedom. Some of these monuments, plaques, stained-glass windows and other commemorative signposts were established by agents of the US government, partly in the service of transatlantic diplomacy; some were built by American veterans' groups mourning lost comrades; and some were provided by grateful and grieving European communities. As the war receded, Europe also became the site for other forms of American commemoration: from the sombre and solemn battlefield pilgrimages of veterans, to the political theatre of Presidents, to the production and consumption of commemorative souvenirs. With a specific focus on processes and practices in two distinct regions of Europe – Normandy and East Anglia – Sam Edwards tells a story of postwar Euro-American cultural contact, and of the acts of transatlantic commemoration that this bequeathed.
Fighting the People's War is an unprecedented, panoramic history of the 'citizen armies' of the United Kingdom, Australia, Canada, India, New Zealand and South Africa, the core of the British and Commonwealth armies in the Second World War. Drawing on new sources to reveal the true wartime experience of the ordinary rank and file, Jonathan Fennell fundamentally challenges our understanding of the War and of the relationship between conflict and socio-political change. He uncovers how fractures on the home front had profound implications for the performance of the British and Commonwealth armies and he traces how soldiers' political beliefs, many of which emerged as a consequence of their combat experience, proved instrumental to the socio-political changes of the postwar era. Fighting the People's War transforms our understanding of how the great battles were won and lost as well as how the postwar societies were forged.
Fighting the People's War is an unprecedented, panoramic history of the 'citizen armies' of the United Kingdom, Australia, Canada, India, New Zealand and South Africa, the core of the British and Commonwealth armies in the Second World War. Drawing on new sources to reveal the true wartime experience of the ordinary rank and file, Jonathan Fennell fundamentally challenges our understanding of the War and of the relationship between conflict and socio-political change. He uncovers how fractures on the home front had profound implications for the performance of the British and Commonwealth armies and he traces how soldiers' political beliefs, many of which emerged as a consequence of their combat experience, proved instrumental to the socio-political changes of the postwar era. Fighting the People's War transforms our understanding of how the great battles were won and lost as well as how the postwar societies were forged.
Jazz Italian Style explores a complex era in music history, when politics and popular culture collided with national identity and technology. When jazz arrived in Italy at the conclusion of World War I, it quickly became part of the local music culture. In Italy, thanks to the gramophone and radio, many Italian listeners paid little attention to a performer's national and ethnic identity. Nick LaRocca (Italian-American), Gorni Kramer (Italian), the Trio Lescano (Jewish-Dutch), and Louis Armstrong (African-American), to name a few, all found equal footing in the Italian soundscape. The book reveals how Italians made jazz their own, and how, by the mid-1930s, a genre of jazz distinguishable from American varieties and supported by Mussolini began to flourish in northern Italy and in its turn influenced Italian-American musicians. Most importantly, the book recovers a lost repertoire and an array of musicians whose stories and performances are compelling and well worth remembering.
Jazz Italian Style explores a complex era in music history, when politics and popular culture collided with national identity and technology. When jazz arrived in Italy at the conclusion of World War I, it quickly became part of the local music culture. In Italy, thanks to the gramophone and radio, many Italian listeners paid little attention to a performer's national and ethnic identity. Nick LaRocca (Italian-American), Gorni Kramer (Italian), the Trio Lescano (Jewish-Dutch), and Louis Armstrong (African-American), to name a few, all found equal footing in the Italian soundscape. The book reveals how Italians made jazz their own, and how, by the mid-1930s, a genre of jazz distinguishable from American varieties and supported by Mussolini began to flourish in northern Italy and in its turn influenced Italian-American musicians. Most importantly, the book recovers a lost repertoire and an array of musicians whose stories and performances are compelling and well worth remembering.
A fascinating journey into Islam's diverse history of ideas, making an argument for an Islamic Enlightenment todayIn Reopening Muslim Minds, Mustafa Akyol, senior fellow at the Cato Institute and opinion writer for The New York Times, both diagnoses "the crisis of Islam" in the modern world, and offers a way forward. Diving deeply into Islamic theology, and also sharing lessons from his own life story, he reveals how Muslims lost the universalism that made them a great civilization in their earlier centuries. He especially demonstrates how values often associated with Western Enlightenment -- freedom, reason, tolerance, and an appreciation of science -- had Islamic counterparts, which sadly were cast aside in favor of more dogmatic views, often for political ends.Elucidating complex ideas with engaging prose and storytelling, Reopening Muslim Minds borrows lost visions from medieval Muslim thinkers such as Ibn Rushd (aka Averroes), to offer a new Muslim worldview on a range of sensitiv
Peter Boxall's The Value of the Novel offers a reappraisal of the ethical, political and literary value of the novel as a genre at turning point in the history both of literature and of criticism. As the dominant critical concerns of the twentieth century faded, and new cultural and technological environments emerged, Boxall argues that we lost our collective sense of the purpose of the novel. This book responds to this predicament by demonstrating why and how the novel matters to us today. Ranging from Daniel Defoe to Zadie Smith, Boxall shows how the formal properties of the novel allow us to imagine the worlds in which we live. This is a vibrant, compelling and richly informed critical perspective that asks us to see anew how central fiction is to our idea of the world, and how richly the novel informs our attempts to understand our present and our future.
Peter Boxall's The Value of the Novel offers a reappraisal of the ethical, political and literary value of the novel as a genre at turning point in the history both of literature and of criticism. As the dominant critical concerns of the twentieth century faded, and new cultural and technological environments emerged, Boxall argues that we lost our collective sense of the purpose of the novel. This book responds to this predicament by demonstrating why and how the novel matters to us today. Ranging from Daniel Defoe to Zadie Smith, Boxall shows how the formal properties of the novel allow us to imagine the worlds in which we live. This is a vibrant, compelling and richly informed critical perspective that asks us to see anew how central fiction is to our idea of the world, and how richly the novel informs our attempts to understand our present and our future.
Ultraman narrowly averted a catastrophe decades in the making. The world was saved --but also forever changed. Now...come the consequences! Much of the populace regard their defenders with suspicion. Enemies hide in plain sight, and even those closest to Shin Hayata don't necessarily have faith in the Giant of Light. But at last, a long-thought-lost comrade has returned! That's a good thing...right? Unfortunately, the forces aligned against the USP and Ultraman are far more widespread -- and more organized -- than our heroes ever suspected. If they're going to survive, they'll need a new ally of their own...and the man they're thinking of just so happens to be one of the most powerful and influential people in the world. But what's his history with the USP...and why does he seem to have his own hidden agenda? COLLECTING: The Trials Of Ultraman (2021) 1-5
NEW YORK TIMES BESTSELLER - NATIONAL BOOK AWARD FINALIST "Disturbing and riveting...It will sear your soul." —Dave Eggers, New York Times Book ReviewFrom New Yorker staff writer David Grann, #1 New York Times best-selling author of The Lost City of Z, a twisting, haunting true-life murder mystery about one of the most monstrous crimes in American history In the 1920s, the richest people per capita in the world were members of the Osage Indian nation in Oklahoma. After oil was discovered beneath their land, they rode in chauffeured automobiles, built mansions, and sent their children to study in Europe. Then, one by one, the Osage began to be killed off. The family of an Osage woman, Mollie Burkhart, became a prime target. Her relatives were shot and poisoned. And it was just the beginning, as more and more members of the tribe began to die under mysterious circumstances. I
Who thought of Europe as a community before its economic integration in 1957? Dina Gusejnova illustrates how a supranational European mentality was forged from depleted imperial identities. In the revolutions of 1917 to 1920, the power of the Hohenzollern, Habsburg and Romanoff dynasties over their subjects expired. Even though Germany lost its credit as a world power twice in that century, in the global cultural memory, the old Germanic families remained associated with the idea of Europe in areas reaching from Mexico to the Baltic region and India. Gusejnova's book sheds light on a group of German-speaking intellectuals of aristocratic origin who became pioneers of Europe's future regeneration. In the minds of transnational elites, the continent's future horizons retained the contours of phantom empires. This title is available as Open Access.
Who thought of Europe as a community before its economic integration in 1957? Dina Gusejnova illustrates how a supranational European mentality was forged from depleted imperial identities. In the revolutions of 1917 to 1920, the power of the Hohenzollern, Habsburg and Romanoff dynasties over their subjects expired. Even though Germany lost its credit as a world power twice in that century, in the global cultural memory, the old Germanic families remained associated with the idea of Europe in areas reaching from Mexico to the Baltic region and India. Gusejnova's book sheds light on a group of German-speaking intellectuals of aristocratic origin who became pioneers of Europe's future regeneration. In the minds of transnational elites, the continent's future horizons retained the contours of phantom empires. This title is available as Open Access.
1922: Literature, Culture, Politics examines key aspects of culture and history in 1922, a year made famous by the publication of several modernist masterpieces, such as T. S. Eliot's The Waste Land and James Joyce's Ulysses. Individual chapters written by leading scholars offer new contexts for the year's significant works of art, philosophy, politics, and literature. 1922 also analyzes both the political and intellectual forces that shaped the cultural interactions of that privileged moment. Although this volume takes post-World War I Europe as its chief focus, American artists and authors also receive thoughtful consideration. In its multiplicity of views, 1922 challenges misconceptions about the 'Lost Generation' of cultural pilgrims who flocked to Paris and Berlin in the 1920s, thus stressing the wider influence of that momentous year.
