This is the second volume of a pioneering two-volume comparative history of the capital cities of Britain, France and Germany during the Great War. Leading historians explore these wartime cities, from the railway stations where newcomers took on new identities to the streets they surveyed and the pubs, cafes and theatres they frequented, and examine notions of identity, the sites and rituals of city life, and wartime civic and popular culture. This volume, first published in 2007, offers a comparative cultural history of London, Paris and Berlin and reveals the great affinities and similarities between cities on both sides of the line. It shows the transnational character of metropolitan life and the different cultural resources which the men and women of these cities drew upon during 1500 days of war. The practices of metropolitan life go well beyond national histories and this volume suggests the outlines of a fully European history of the Great War.
The literature on trench journalism is well established for Britain and France during the First World War, but this book is the first systematic study in English of German soldier newspapers as a representation of daily life and beliefs on the front. Printed by and for soldiers at or near the front line these newspapers were read by millions of 'ordinary soldiers'. They reveal an elaborately defined understanding of comradeship and duty. The war of aggression, the prolonged occupation on both fronts and the hostility of the local populations were justified through a powerful image of manly comradeship. The belief among many Germans was that they were good gentlemen, fighting a just war and bringing civilization to backward populations. This comparative study includes French, British, Australian and Canadian newspapers and sheds new light on the views of combatants on both sides of the line.
The cultural legacy of the air war on Germany is explored in this comparative study of two bombed cities from different sides of the subsequently divided nation. Contrary to what is often assumed, Allied bombing left a lasting imprint on German society, spawning vibrant memory cultures that can be traced from the 1940s to the present. While the death of half a million civilians and the destruction of much of Germany's urban landscape provided 'usable' rallying points in the great political confrontations of the day, the cataclysms were above all remembered on a local level, in the very spaces that had been hit by the bombs and transformed beyond recognition. The author investigates how lived experience in the shadow of Nazism and war was translated into cultural memory by local communities in Kassel and Magdeburg struggling to find ways of coming to terms with catastrophic events unprecedented in living memory.
A major contribution to the study of collective identity and memory in France, this book examines a French republican myth: the belief that the nation can be adequately defended only by its own citizens, in the manner of the French revolutionaries of 1793. Alan Forrest examines the image of the citizen army reflected in political speeches, school textbooks, art and literature across the nineteenth century. He reveals that the image appealed to notions of equality and social justice, and with time it expanded to incorporate Napoleon's victorious legions, the partisans who repelled the German invader in 1814 and the people of Paris who rose in arms to defend the Republic in 1870. More recently it has risked being marginalized by military technology and by the realities of colonial warfare, but its influence can still be seen in the propaganda of the Great War and of the French Resistance under Vichy.
The First World War had a devastating impact on the Russian state, yet relatively little is known about the ways in which ordinary Russians experienced and viewed this conflict. Melissa Kirschke Stockdale presents the first comprehensive study of the Great War's influence on Russian notions of national identity and citizenship. Drawing on a vast array of sources, the book examines the patriotic and nationalist organizations which emerged during the war, the role of the Russian Orthodox Church, the press and the intelligentsia in mobilizing Russian society, the war's impact on the rights of citizens, and the new, democratized ideas of Russian nationhood which emerged both as a result of the war and of the 1917 revolution. Russia's war experience is revealed as a process that helped consolidate in the Russian population a sense of membership in a great national community, rather than being a test of patriotism which they failed.
This book is a fascinating study of the Vietnamese experience and memory of the Vietnam War through the lens of popular imaginings about the wandering souls of the war dead. These ghosts of war play an important part in postwar Vietnamese historical narrative and imagination, and Heonik Kwon explores the intimate ritual ties with these unsettled identities which still survive in Vietnam today as well as the actions of those who hope to liberate these hidden but vital historical presences from their uprooted social existence. Taking a unique approach to the cultural history of war, he introduces gripping stories about spirits claiming social justice and about his own efforts to wrestle with the physical and spiritual presence of ghosts. Although these actions are fantastical, this book shows how examining their stories can illuminate critical issues of war and collective memory in Vietnam and the modern world more generally.
In the wake of the First World War and Russian Revolutions, Central Europeans in 1919 faced a world of possibilities, threats, and extreme contrasts. Dramatic events since the end of the world war seemed poised to transform the world, but the form of that transformation was unclear and violently contested in the streets and societies of Munich and Budapest in 1919. The political perceptions of contemporaries, framed by gender stereotypes and antisemitism, reveal the sense of living history, of 'fighting the world revolution', which was shared by residents of the two cities. In 1919, both revolutionaries and counterrevolutionaries were focused on shaping the emerging new order according to their own worldview. By examining the narratives of these Central European revolutions in their transnational context, Eliza Ablovatski helps answer the question of why so many Germans and Hungarians chose to use their new political power for violence and repression.
The popular idea of the First World War is a story of disillusionment and pointless loss. This vision, however, dates from well after the Armistice. In this 2004 book Janet Watson separates out wartime from retrospective accounts and contrasts war as lived experience - for soldiers, women and non-combatants - with war as memory, comparing men's and women's responses and tracing the re-creation of the war experience in later writings. Using a wealth of published and unpublished wartime and retrospective texts, Watson contends that participants tended to construct their experience - lived and remembered - as either work or service. In fact, far from having a united front, many active participants were in fact 'fighting different wars', and this process only continued in the decades following peace. Fighting Different Wars is an interesting, richly textured and multi-layered book which will be compelling reading for all those interested in the First World War.
This book is a fascinating study of the Vietnamese experience and memory of the Vietnam War through the lens of popular imaginings about the wandering souls of the war dead. These ghosts of war play an important part in postwar Vietnamese historical narrative and imagination, and Heonik Kwon explores the intimate ritual ties with these unsettled identities which still survive in Vietnam today as well as the actions of those who hope to liberate these hidden but vital historical presences from their uprooted social existence. Taking a unique approach to the cultural history of war, he introduces gripping stories about spirits claiming social justice and about his own efforts to wrestle with the physical and spiritual presence of ghosts. Although these actions are fantastical, this book shows how examining their stories can illuminate critical issues of war and collective memory in Vietnam and the modern world more generally.
The War Inside is a groundbreaking history of the contribution of British psychoanalysis to the making of social democracy, childhood, and the family during World War II and the postwar reconstruction. Psychoanalysts informed understandings not only of individuals, but also of broader political questions. By asserting a link between a real 'war outside' and an emotional 'war inside', psychoanalysts contributed to an increased state responsibility for citizens' mental health. They made understanding children and the mother-child relationship key to the successful creation of a democratic citizenry. Using rich archival sources, the book revises the common view of psychoanalysis as an elite discipline by taking it out of the clinic and into the war nursery, the juvenile court, the state welfare committee, and the children's hospital. It traces the work of the second generation of psychoanalysts after Freud in response to total war and explores its broad postwar effects on British society.
What does it mean to display war? Examining a range of different exhibitions in Britain, Canada and Australia, Jennifer Wellington reveals complex imperial dynamics in the ways these countries developed diverging understandings of the First World War, despite their cultural, political and institutional similarities. While in Britain a popular narrative developed of the conflict as a tragic rupture with the past, Australia and Canada came to see it as engendering national birth through violence. Narratives of the war's meaning were deliberately constructed by individuals and groups pursuing specific agendas: to win the war and immortalise it at the same time. Drawing on a range of documentary and visual material, this book analyses how narratives of mass violence changed over time. Emphasising the contingent development of national and imperial war museums, it illuminates the way they acted as spaces in which official, academic and popular representations of this violent past intersect.
The popular image of the British soldier in the First World War is of a passive victim, caught up in events beyond his control, and isolated from civilian society. This book offers a different vision of the soldier's experience of war. Using letters and official sources relating to Liverpool units, Helen McCartney shows how ordinary men were able to retain their civilian outlook and use it to influence their experience in the trenches. These citizen soldiers came to rely on local, civilian loyalties and strong links with home to bolster their morale, whilst their civilian backgrounds helped them challenge those in command if they felt they were being treated unfairly. The book examines the soldier not only in his military context but in terms of his social and cultural life. It will appeal to anyone wishing to understand how the British soldier thought and behaved during the First World War.
The literature on trench journalism is well established for Britain and France during the First World War, but this book is the first systematic study in English of German soldier newspapers as a representation of daily life and beliefs on the front. Printed by and for soldiers at or near the front line these newspapers were read by millions of 'ordinary soldiers'. They reveal an elaborately defined understanding of comradeship and duty. The war of aggression, the prolonged occupation on both fronts and the hostility of the local populations were justified through a powerful image of manly comradeship. The belief among many Germans was that they were good gentlemen, fighting a just war and bringing civilization to backward populations. This comparative study includes French, British, Australian and Canadian newspapers and sheds new light on the views of combatants on both sides of the line.
This is a pioneering history of the experience of captivity of British prisoners of war (POWs) in Europe during the Second World War, focussing on how they coped and came to terms with wartime imprisonment. Clare Makepeace reveals the ways in which POWs psychologically responded to surrender, the camaraderie and individualism that dominated life in the camps, and how, in their imagination, they constantly breached the barbed wire perimeter to be with their loved ones at home. Through the diaries, letters and log books written by seventy-five POWs, along with psychiatric research and reports, she explores the mental strains that tore through POWs' minds and the challenges that they faced upon homecoming. The book tells the story of wartime imprisonment through the love, fears, fantasies, loneliness, frustration and guilt that these men felt, shedding new light on what the experience of captivity meant for these men both during the war and after their liberation.
This ambitious volume marks a huge step in our understanding of the social history of the Great War. Jay Winter and Jean-Louis Robert have gathered a group of scholars of London, Paris and Berlin, who collectively have drawn a coherent and original study of cities at war. The contributors explore notions of well-being in wartime cities - relating to the economy and the question of whether the state of the capitals contributed to victory or defeat. Expert contributors in fields stretching from history, demography, anthropology, economics, and sociology to the history of medicine, bring an interdisciplinary approach to the book, as well as representing the best of recent research in their own fields. Capital Cities at War, one of the few truly comparative works on the Great War, will transform studies of the conflict, and is likely to become a paradigm for research on other wars.
In this global and comparative study of Pacific War incarceration environments we explore the arc of the Pacific Basin as an archipelagic network of militarized penal sites. Grounded in spatial, physical and material analyses focused on experiences of civilian internees, minority citizens, and enemy prisoners of war, the book offers an architectural and urban understanding of the unfolding history and aftermath of World War II in the Pacific. Examples are drawn from Australia, New Zealand, Singapore, Japan, and North America. The Architecture of Confinement highlights the contrasting physical facilities, urban formations and material character of various camps and the ways in which these uncover different interpretations of wartime sovereignty. The exclusion and material deprivation of selective populations within these camp environments extends the practices by which land, labor and capital are expropriated in settler-colonial societies; practices critical to identity formation and
'We request an immediate favour of you, to build a shelter for us women and small children, because we have absolutely no place to take refuge and we are terrified!' This French mother's petition sent to her mayor on the eve of Germany's 1940 invasion of France reveals civilians' security concerns unleashed by the Blitzkrieg fighting tactics of World War II. Unprepared for air warfare's assault on civilian psyches, French planners were among the first in history to respond to civilian security challenges posed by aerial bombardment. France under Fire offers a social, political and military examination of the origins of the French refugee crisis of 1940, a mass displacement of eight million civilians fleeing German combatants. Scattered throughout a divided France, refugees turned to German Occupation officials and Vichy administrators for relief and repatriation. Their solutions raised questions about occupying powers' obligations to civilians and elicited new definitions of refugees'
