Albert Camus is one of the iconic figures of twentieth-century French literature, one of France's most widely read modern literary authors and one of the youngest winners of the Nobel Prize for Litera
Proust's work may sometimes offer a picture of intellectual confidence. But not enough had previously been said about the crisis of hypersensitivity in many of Proust's characters. This 1983 book attempted to fill that gap, and as such should interest all students of Proust. In A la recherche, Proust deliberates on the separation between the troubled artist and the simple, sometimes primitive sensibility of others. It is a separation that many critics have viewed as inevitable. In this book, however, Dr Hughes shows that Proust is constantly exploring the divide, and finally succeeds in harmonising simplicity and complexity - in the unlikely form of music. In this way, several areas of Proust's novel are brought into prominence that would usually have been ignored - for example, his nostalgic depictions of animal life. This book provides a synthesis of these and related experiences: as such it offers a reappraisal of Proust's view of human awareness.
Albert Camus is one of the iconic figures of twentieth-century French literature, one of France's most widely read modern literary authors and one of the youngest winners of the Nobel Prize for Literature. As the author of L'Etranger and the architect of the notion of 'the Absurd' in the 1940s, he shot to prominence in France and beyond. His work nevertheless attracted hostility as well as acclaim and he was increasingly drawn into bitter political controversies, especially the issue of France's place and role in the country of his birth, Algeria. Most recently, postcolonial studies have identified in his writings a set of preoccupations ripe for revisitation. Situating Camus in his cultural and historical context, this 2007 Companion explores his best-selling novels, his ambiguous engagement with philosophy, his theatre, his increasingly high-profile work as a journalist and his reflection on ethical and political questions that continue to concern readers today.
Writing Marginality in Modern French Literature, first published in 2001, explores how cultural centres require the peripheral, the outlawed and the deviant in order to define and bolster themselves. It analyses the hierarchies of cultural value which inform the work of six modern French writers: the exoticist Pierre Loti; Paul Gauguin, whose Noa Noa enacts European fantasies about Polynesia; Proust, who analyses such exemplary figures of exclusion and inclusion as the homosexual and the xenophobe; Montherlant, who claims to subvert colonialist values in La Rose de sable; Camus, who pleads an alienating detachment from the cultures of both metropolitan France and Algeria; and Jean Genet. Crucially Genet, who was typecast as France's moral pariah, in charting Palestinian statelessness in his last work, Un Captif amoureux (1986), reflects ethically on the dispossession of the Other and the violence inherent in the West's marginalization of cultural difference.
Writing in 1927, Julien Benda described France as being afflicted by the twin scourges of narrow, class-based politics and rabid nationalism. He nevertheless identified Marcel Proust (who had died in
