Interaction and Influence in Small Group Decision Making examines the current literature on the role of participation in small group outcomes. The book addresses seminal small group research and trace
A natural user interface (NUI) refers to an interface that is effectively invisible or becomes invisible with successive learned interactions. Current and next generation development of computer games
The Gordon riots of June 1780 were the most devastating outbreak of urban violence in British history. For almost a week large parts of central London were ablaze, prisons were destroyed and the Bank of England attacked. Hundreds of rioters were shot dead by troops and for many observers it seemed that England was on the verge of a revolution. The first scholarly study in a generation, this book brings together leading scholars from historical and literary studies to provide new perspectives on these momentous events. The essays include new archival work on the religious, political and international contexts of the riots and new interpretations of contemporary literary and artistic sources. For too long the significance of the Gordon riots has been overshadowed by the impact of the French revolution on British society and culture: this book restores the riots to their central position in late eighteenth-century Britain.
This book takes a new look at the evolution of popular literature in Britain in the Romantic and Victorian periods. Ian Haywood argues that developments in the history of popular literature emerged from its intersection with radical and reactionary politics of the time. Both sides wanted to win the heart and mind of the 'common reader' and used books to try to influence a newly literate group in society. Making use of a wide range of archival and primary sources, he argues that radical politics played a decisive role in the transformation of popular literature from the plebeian miscellany of the 1790s to the mass-circulation fiction and popular journalism of the 1840s. By charting the key moments in the history of 'cheap' literature, the book casts light on the many neglected popular genres and texts: the 'pig's meat' anthology, the female-authored didactic tale, and Chartist fiction.
This book is the first comprehensive study of the subject of spectacular violence in British Romantic literature and print culture. It looks at the impact and influence of a series of catastrophically
Ian Haywood explores the 'Golden Age' of caricature through the close reading of key, iconic prints by artists including James Gillray, George and Robert Cruikshank, and Thomas Rowlandson. This approach both illuminates the visual and ideological complexity of graphic satire and demonstrates how this art form transformed Romantic-era politics into a unique and compelling spectacle of corruption, monstrosity and resistance. New light is cast on major Romantic controversies including the 'revolution debate' of the 1790s, the impact of Thomas Paine's 'infidel' Age of Reason, the introduction of paper money and the resulting explosion of executions for forgery, the propaganda campaign against Napoleon, the revolution in Spain, the Peterloo massacre, the Queen Caroline scandal, and the Reform Bill crisis. Overall, the volume offers important new insights into the relationship between art, satire and politics in a key period of history.
The Gordon riots of June 1780 were the most devastating outbreak of urban violence in British history. For almost a week large parts of central London were ablaze, prisons were destroyed and the Bank of England attacked. Hundreds of rioters were shot dead by troops and for many observers it seemed that England was on the verge of a revolution. The first scholarly study in a generation, this book brings together leading scholars from historical and literary studies to provide new perspectives on these momentous events. The essays include new archival work on the religious, political and international contexts of the riots and new interpretations of contemporary literary and artistic sources. For too long the significance of the Gordon riots has been overshadowed by the impact of the French revolution on British society and culture: this book restores the riots to their central position in late eighteenth-century Britain.
This book is a result of an international collaborative research study was undertaken under the auspices of International Research Group (IRG) of Eastern Asia Society of Transport Studies (EASTS) and
Ian Haywood explores the 'Golden Age' of caricature through the close reading of key, iconic prints by artists including James Gillray, George and Robert Cruikshank, and Thomas Rowlandson. This approach both illuminates the visual and ideological complexity of graphic satire and demonstrates how this art form transformed Romantic-era politics into a unique and compelling spectacle of corruption, monstrosity and resistance. New light is cast on major Romantic controversies including the 'revolution debate' of the 1790s, the impact of Thomas Paine's 'infidel' Age of Reason, the introduction of paper money and the resulting explosion of executions for forgery, the propaganda campaign against Napoleon, the revolution in Spain, the Peterloo massacre, the Queen Caroline scandal, and the Reform Bill crisis. Overall, the volume offers important new insights into the relationship between art, satire and politics in a key period of history.
This collection of essays takes a fresh look at the important role of illustration in Romantic literature. The late eighteenth century saw an explosion of illustrated editions of literary classics and the emergence of a new culture of literary art, including the innovative literary galleries. The impact of these developments on the reading and viewing of literary texts is explored in a series of case studies covering poetry, historical texts, drama, painting, reproductive prints, magazines and ephemera. Romanticism and Illustration argues for a more detailed study of illustration which includes the context of a wider circulation of images across different media. The modern understanding of the word 'illustration' fails to convey the complex relationship between the artist, the engraver, the publisher, the text and the audience in Romantic Britain. In teasing out the implications of this dynamic cultural matrix, this book opens up a new field of Romantic studies.
First published in 2001. When the Chartist leader Ernest Jones emerged from prison in 1850, he was determined to capture the public’s attention with a controversial and topical novel. The result of hi
This collection of thirteen specially commissioned essays by international scholars takes a fresh look at the profound impact of the Peninsular War on Romantic British literature and culture. The expe
On a very hot day at the beach, grandpa's tales of the frozen North Pole pique Tim's sense of adventure. So off he sails in his toy boat to bring back an iceberg as a surprise for grandpa. Along the w
On a very hot day at the beach, grandpa's tales of the frozen North Pole pique Tim's sense of adventure. So off he sails in his toy boat to bring back an iceberg as a surprise for grandpa. Along the w
